Written by Graham Barlow
“You can tell real history from fake history because real history is rich and complicated. Fake history is simple and straightforward.” – Damon Smith.
Before I started the Heretics podcast with my old Xingyi instructor and friend, Damon Smith, I thought I knew a bit about martial arts. After all, I’d been practicing, researching, debating, arguing about and had generally been involved in both Chinese and Japanese martial arts for about three decades, earning a black belt in Brazilian Jiu-jitsu along the way.
Japanese martial arts had never appealed to me as a young man – a sea of emotionless robot men in white suits doing unpractical, rigid kata against the air was not my thing. Instead I gravitated towards the Chinese arts, which seemed to be more fluid and full of clever techniques. The reality was that I didn’t know what I didn’t know. But most importantly I didn’t know how Japanese martial arts made more sense once you understood the historical events that gave rise to them. Martial arts are a part of human history. To study them in isolation is to have only a partial understanding of their origins.
I can hear the counter argument to this already – “No! Martial arts were invented to give you the tools to beat the other guy’s brains in, anything else is irrelevant!” No offense, but that’s wrong. Nothing that simple is ever true. Remember, real history is always complicated.
As well as Xingyi from China, Damon is an expert in Japanese Kempo and a serious practitioner of Shamanism. Every week since November last year we’ve sat down on a Thursday night with our microphones and chipped away at a mountain of history to try and find some gold. We started the podcast in Japan around the year 1,000AD. Moving through the different Shogunate eras, from the collapse of the Ashikaga through to the warring states period (1467 – 1600), eventually resulting in the Tokugawa shogunate which lasted up to 1862. Along the way we looked at the Japanese martial traditions that built up through a mix of different influences: shrine sumo (which was way more diverse and complicated than the modern sportif version, and goes back to a time before recorded history in Japan), weapons orientated battlefield arts (which evolved into various schools of jujutsu) and schools of Chinese-influenced civilian martial arts, known as kempo, a Japanese translation of “Quan Fa”, the Chinese term for martial arts. These all added to the mix and so did their connections to various secret societies, religions and yakuza groups.
Tokugawa Tsunayoshi was the fifth shōgun of the Tokugawa dynasty of Japan.
In contrast to the preceding Ashikaga, the Tokugawa shoguns adopted the Confucian model of leadership. Everything in society became highly regulated, including religion, government, contact with other countries and, of course, martial arts. In this way any activity that could become a threat to the Tokugawa was suppressed. It was this period that saw the development the famous Koryu schools, the supposed battlefield arts of Japan preserved as martial arts. In fact, the Koryu were developed after most of the battles had stopped, and were highly controlled by the Tokugawa rulers, which explains the stilted look that was introduced to the martial arts, and still plagues many Japanese martial arts to this day. To be fair to the practitioners of this time, they had no choice. ‘Aliveness’ (to borrow the phrase from Matt Thornton) in martial arts practice was dangerous in the eyes of the Tokugawa rulers. It was a threat, so it had to go.
The Samurai of this period were also not the brave warriors of popular imagination, fighting on battlefields for their Lord’s honour. In fact, they became more like institutionalised bullies with the right to ‘kill and walk away’ to any peasant who happened to rub them up the wrong way. The Katana, the famous Samurai sword, was more often used for lopping of the heads of the defenseless peasantry, than it had been on any battlefield, where horses, guns, spear and bow ruled the day. Underground civilian martial arts in this period and secret societies were developed as a method of protecting the population from ruthless Samurai who pushed things too far.
After the Tokugawa-era ended with the bloody Boshin war followed by the Meiji Restoration (1868), Japan slowly opened up to the outside world. In fact, it was forced open by the British and Americans using violent gunboat diplomacy, but eventually the new era was embraced by the new rulers and also reflected in a new spirit of openness within the martial arts. Aliveness was back in fashion and innovators like Jigoro Kano breathed new life into the martial arts they inherited using the practice of randori (free sparring). His approach was so effective that Kano went from never having trained martial arts at all, to founding his own style in less than 6 years. Ultimately Kano’s Judo would outshine all the other styles of Jiujitsu and change the course of martial arts in Japan entirely, not to mention the rest of the world.
But there were also new influences coming into Japan from outside during the late nineteenth century. The Japanese were as fascinated by Western culture then as we are in the West by Eastern culture today. They looked to the West for inspiration in effective martial arts and found it in Western boxing and wrestling. The first western boxing gym opened its doors in Japan in 1896, meaning Western Boxing is much, much older than Karate in Japan (a post World War I kempo import from Okinawa in 1922) and even older than Ju Jitsu landing in Brazil (Maeda first arrived in 1914, and returned to live there in 1917 teaching Kano Ryu Jujutsu). Just think about that.
Before the shutters came down again on Japan, with the rise of militarism and nationalism as the result of rabid empire building, leading ultimately to some of the worst atrocities known in human history, some of that martial arts knowledge got out, and spread. Martial artists schooled in these new traditions of Japan travelled to Europe and America, demonstrating their prowess. One of them, Mitsuyo Maeda ended up in Brazil where he met a member of the Gracie family called Carlos Gracie. Free to pursue this randori-style approach to fighting Jiu-Jitsu evolved further in favour of effective ground-based techniques setting it on a path that would eventually lead it all the way to America and the Ultimate Fighting Championship in 1993, where Royce Gracie showcased Brazilian Jiu-Jitsu to the world.
The Meiji Restoration period also saw the rise of Shinkōshūkyō, the ‘new religions’, in Japan. In fact, these were the reinvention of old religions. This was the re-emergence of the roots of the original Shinto religion of Japan – shamanism – after being suppressed under the Tokugawa. It was from the corrupted remnants of these new/old traditions, mixed with a new martial art that claimed to be a Koryu, yet which also claimed to be older than the concept of Koryu itself (Daito Ryu), that Aikido ultimately emerged. Its connection to extreme nationalist politics, militaristic societies and a cult-like religious movements is often airbrushed from history, but it explains a lot of its chosen form of expression. And without the full picture of the history that preceded it you wouldn’t have a clue what you were looking at when you saw Morihei Ueshiba throwing people like puppets in an Aikido demonstration.
After the horrors of the second world war were over a defeated Japan looked back to the Meiji restoration period as a golden age of liberalism. The Japanese economy, without a military to fund, and with the US capitalist model to follow, was free to grow. Post-war karate was marketed tremendously well by innovators like Mas Oyama, and pro wrestling found an audience with firebrands like Rikidozan leading the charge. These influences, mixed with the indigenous kempo, and everything else that had gone before, funneled into a new form of fighting that we now know today as MMA. And while the focus has switched to America in modern times, with the UFC, every MMA fan worth his salt will have heard of the PRIDE FC organisation in Japan and legends of the ring like Kazushi Sakuraba. But it was also an organisaion that became famous for featuring some of the best fighters from outside the country – Rickson Gracie, Fedor Emelianenko, Chuck Liddell to name but a few, and of course it was all tied up in Yakuza money.
Our History of Jiu Jitsu and Kempo series ended up being 5 episodes long, and we feel like we only really scratched the surface. If there’s one thing I’ve learned so far it’s that it’s not the art that is the issue, but the way it is trained that results in it being effective. We’re just started a new series in the podcast on China, beginning with its unification under Qin Shi Huangdi and moving forward from his short lived Qin Dynasty to the golden age of the Han Dynasty. I expect there will be many more revelations to come, particularly about the Chinese martial arts. Come and join us.
About the Author:
Graham Barlow started martial arts with Tai Chi Chuan and Choy Lee Fut in 1993, then added Xingyi in 2001 before finding BJJ in 2011 and getting his black belt in 2018. He currently trains at Gracie Barra in Bath, UK and is also a member of the Yongquan Martial Arts Association. Graham runs a couple of marital art blogs and a podcast. You can read about what he’s up to at Tai Chi Notebook, The BJJ Notebook, and listen to the Heretics podcast on iTunes or Spreaker.